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At 50, Pitt is too old - by a long shot - for his role as a tank sergeant, yet he still crafts a believable, square-jawed performance, even if some of the acts he's called upon to perform don't ring true.La Beouf, however, files a horribly self-conscious portrayal.Wracked with nerves and mercilessly hazed by his cohorts, Norman struggles to get a grip.

Any intelligent viewer knows the sugar-coated view of World War II many of the propaganda movies of the '40s, '50s, '60s, and even the '70s spoon-fed us didn't accurately reflect what transpired in the fields and woods of Europe, yet it seems Ayer feels compelled to destroy that stereotype.So what we get is a modern war movie in a period setting, and like oil and water, the two don't really mix.'Fury' hangs on his slight shoulders and he rises to the challenge, grabbing the reins of a pivotal part and running with it.He holds his own well with Pitt and the rest of the veteran cast, and his earnest, unaffected work anchors the film.Make no mistake, 'Fury' is not your father's - or your grandfather's - World War II movie; its bold, in-your-face style, expletive-laden dialogue, prevailing cynicism, and rampant brutality seek to brush the mothballs off this frozen-in-time war and re-christen it with a hipper vibe.

The film also sets out to prove that despite its rarefied reputation, World War II was just as dirty, repugnant, and wacked out as any other war in history. uses cookies to improve performance by remembering your session ID when you navigate from page to page. Please set your browser to accept cookies to continue.This cookie stores just a session ID; no other information is captured.Accepting the NEJM cookie is necessary to use the website.If its success were to be gauged only on the above criteria, 'Fury' would score high marks, but the elements it largely lacks - heart, soul, meaning - outweigh the surface truths it so devastatingly depicts.