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The takeaway here is that a creation has value only if people are willing to pay money for it — and not just a small or reasonable amount of money but something exorbitant, “in the millions,” as collectors do for a Jeff Koons rabbit.

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“What I assume people will do is change the picture now and then.It is so big that by the time you get to the middle, you can’t remember where it started. It’s really an installation, a piece of art.” The eponymous edition published by Taschen costs ,500.“A number of people are looking for a safe place to put their money, and the success of our limited editions have shown time and again that prices are often doubled, tripled or, in the case of Sumo, multiplied by 10.And while you’re waiting for your money to grow, you get to own something beautiful and rare.Original Article Photographer Annie Leibovitz’s latest work of art is a book — a book that measures more than two feet high, runs to 476 pages, and comes with its own tripod, designed by Marc Newson.

“You could never hold it in your lap and thumb through it,” she told the .The group is planning a tour for the one-of-a-kind album, with stops at museums, galleries, and festivals, where visitors will buy a –50 ticket to listen to it once.And then, when that’s over, Wu-Tang will sell the thing, for a bucketload of money (“in the millions,” according to ).In 1936, Walter Benjamin was worried about the diminishing aura of the artwork in the face of mechanical reproduction; I can’t help but wonder if today he’d welcome mechanical reproduction as a way to diffuse the aura that’s become almost entirely commercial.Interestingly, because music is a field much closer to literature — readily available to own for a cheap price — Wu-Tang fans are less than thrilled at this hijacking of their system.All in all it was a wonderful time and were so thankful to the folks doing all the hard work to make it happen.